Who
ambushes whom in the "fond Ambush" in Emily Dickinson's "I know
that he exists" (365) can be addressed in ever wider contexts: one can look
in the poem (for phrases, lines, or images that point in either direction) or in
the poet's work as a whole, as in "He lived the Life of Ambush" (1571)
or the veil in "My life closed twice before it's close" (1773); one
can research such figures in Dickinson's poetic and theological contemporaries or
beyond them to the literary and religious history of tropes of ambush and
revelation. If this leaves the issue unresolved, the process still enriches
understanding of the poem and the poet. (Andrew Shields, #111words, 17 April)
For background, see my previous post on the poem.
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