John
Atkinson's comic quickly compares standard ideas about the feminine Jane Austen
and the masculine Ernest Hemingway. But in Austen, sisterhood is far from
always positive; etiquette is a mask for cruelty; there isn't much tea; status is
as political as the "politics" in Hemingway; balls don't end in brawls
but are full of verbal and psychological brutality; the novels end in marriages
but only after broken engagements and rejected proposals; and war and military
masculinity are pervasive. In fact, Austen explores all the themes associated
with Hemingway here (even booze doesn't go untouched by her characters), and if
he doesn't address "hers" themes, he's the more limited writer than Austen.
(Andrew Shields, #111words, 2 May)
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