I've often wondered what to call this decade, so I was struck by Sasha Frere-Jones's use of "the aughts" to refer to it in his article on Timbaland in the Oct. 6, 2008, issue of The New Yorker.
Interestingly, he seems to waver on the issue; first, he writes this:
A duo called the Neptunes, childhood friends of Mosley’s from Virginia Beach, gave Timbaland a run for his money at the beginning of the aughts but have been harder to find in the past few years ...
Later, he writes this:
There is a long list of fervid, breathtaking productions from the nineties and the early two thousands ...
So just when Frere-Jones is going to refer to both the nineties and the aughts, he chickens out, as if he did not really like the name after all!
Interestingly, he seems to waver on the issue; first, he writes this:
A duo called the Neptunes, childhood friends of Mosley’s from Virginia Beach, gave Timbaland a run for his money at the beginning of the aughts but have been harder to find in the past few years ...
Later, he writes this:
There is a long list of fervid, breathtaking productions from the nineties and the early two thousands ...
So just when Frere-Jones is going to refer to both the nineties and the aughts, he chickens out, as if he did not really like the name after all!
1 comment:
I already made my daughter a tape of stuff since 2000 called "Aughts Only," so I'm down with it.
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